Monday, November 16, 2015

"Dawn" by Federico García Lorca


[original poem in Spanish]

La aurora

La aurora de Nueva York tiene
cuatro columnas de cieno
y un huracán de negras palomas
que chapotean las aguas podridas.
La aurora de Nueva York gime
por las inmensas escaleras
buscando entre las aristas
nardos de angustia dibujada.
La aurora llega y nadie la recibe en su boca
porque allí no hay mañana ni esperanza posible:
a veces las monedas en enjambres furiosos
taladran y devoran abandonados niños.
Los primeros que salen comprenden con sus huesos
que no habrá paraíso ni amores deshojados:
saben que van al cieno de números y leyes,
a los juegos sin arte, a sudores sin fruto.
La luz es sepultada por cadenas y ruidos
en impúdico reto de ciencia sin raíces.
Por los barrios hay gentes que vacilan insomnes
como recién salidas de un naufragio de sangre.



[English translation by Greg Simon and Stephen F. White]

Dawn

Dawn in New York has
four columns of mire
and a hurricane of black pigeons
splashing in the putrid waters.
Dawn in New York groans
on enormous fire escapes
searching between the angles
for spikenards of drafted anguish.
Dawn arrives and no one receives it in his mouth
because tomorrow and hope are impossible there:
sometimes the furious swarming coins
penetrate like drills and devour abandoned children.
Those who go out early know in their bones
there will be no paradise or loves that bloom and die:
they know they will be mired in numbers and laws,
in mindless games, in fruitless labors.
The light is buried under chains and noises
in an impudent challenge of rootless science.
And crowds stagger sleeplessly through the boroughs
as if they had just escaped a shipwreck of blood.


Source of the text – Federico García Lorca, Collected Poems, revised edition, with an introduction and notes by Christopher Maurer.  New York: Farrar, Straus and Giroux, 2002, pp. 682-683.

TJB: Abandon-hope aubade. New York as if the 2d, 4th or maybe 7th circles of the Inferno. This is nothing like the cover art to the Freewheelin’…

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