MARIANA TRENCH
35,827 feet
Palpable, principal, unearthly, is alive. Marianas, a
stillness gathering
in the unrecognizable deep, cumulative, pressured, like
pleasure again and
again ripped from a body. A look you give me, broken
understanding,
and you know it will take hours, networks of words to begin
again,
kettle and tray, pull of the pupil as it takes in my
protests, hopes,
span of shoulders, the gauze of heat and oil on these arms,
birds grazing
sheets of surface burning over the trench, as if to trespass
for seconds into
the blackness below, an endless inwardness beneath the
bright explosions
of their wings, now gliding in some far sense of air, a
limit bathed in dusk
leaning beachward, some trust in coast at the end of day
when the sweater
pulled over skin still pulses with sun, flowers set in sills
to gather light
as a hand passes over the serrated stems, bending and diving
in the summery breeze, sorting through conflict or simply
given to motion,
my body shut in your arms, refusing conclusion, feeling the
bones spread
beneath skin, an apology forming near the boundary, tense,
lost, veins
full of salt-vapor, the story undisclosed, descending in the
blue-grays
of your eyes, the slow spread of depth toward some unfelt
soundless
sediment, and unraveling toward sea, in need, in everything
we can spare.
Author’s note: The Mariana Trench is the deepest spot on
earth. “Of all the worlds the abyss
alone remains unaltered. It is the one
place on the planet where conditions remain as they have been since the
beginning, where the five-mile pressures have not altered, where no suns have
ever shone, where the cold is the same at the poles as at the equator, where
the seasons are unchanging, where there is no wind and no wave . . . This is
the sole world on the planet that we can enter only by a great act of the
imagination.”—Loren Eiseley, “The Great Deeps,” The Immense Journey
Source of the text – Joanna Klink, Circadian. New York: Penguin
Poets, 2007, p. 25 and 67.
TJB: Abyssopelagic lyric. The poet uses a famous trench as metaphor for the me-myself under thousands of feet of superego, gestures, words, etc.
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